mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

kit n c.l.a.w.s. is a project by two experienced musicians in the fields of dance and psychedelic music… teaming up was probably one of the better ideas they had for a long time as the music this duo serves us is simply amazing… deep trance indulging moody house tracks with acid influences… still this acid never becomes industrial as techno can be but stays on the psychedelic side of things… slow trippy stuff to dance and dream away on… headmusic for the dancefloor!
limited 200 copies.

super hypnotic minimal 2 track vinyl ... tipp / repress

berlin based adam marshall and christian andersen collaborate as graze. in the latest installment of our ufo series, the dekmantel records offshoot dedicated to experimental and futuristic electronic music, the canadian veteran producers serve up a 50/50 lethal/dreamy drum trax package. many have applauded the versatility of graze, and their xup ep is yet more proof of their original minds. xup is an abstract 4/4 jugular, beating out devious percussive patterns and rattling hi-hats over a grizzled and arpeggiated synth mortar-fire. vast on the other hand is an esoteric slow-burner, a hallucinatory trip to the depths of analog synth paradise and a perfect intro, outro or home listening gem. on the flip, the hyper-lean gearshift of tryptch pumps energy through off-kilter and plunderphonic basslines, while shadow play’is a classic piece of breakbeat bliss including a celestial synth arrangement that makes a perfect soundtrack for slow-speed sci-fi rides.

new project from massimo vanoni in which his black streak with slow-down & nu-disco-funk features prevails. the tracks have strong groove rhythms, with intense, rather thick and ascent.loops. the contaminations collected by the club consoles seem to merge in the creation of unreleased songs which recall an interesting return to the old beat with dynamic rhythm.

over half a year has passed since loz s last outing on brooklyn s razor n tape but he s back on a solo tip with this 4 tracker of slightly deeper and more synth-driven cuts than we ve been used to this year from the man. slap dancer sets the tone with punchy drum & sample hits, easily the most club oriented of the bunch. duplicity sees loz back on that slightly funkier sound we have come to know of recent times, but with a little added dustiness. flavour adds a little extra sprinkling of dust with it s rolling drums and chords - proper chillin basement tackle. be sure to check that b2 cut sunset vista for that slow, machine driven & synthed out acid jam as well.

alan arbelaez makes his first outing on vinyl, launching the keepers of the wild label with a forthright selection of rave minded goodies pitched at the darker side of the dance. -ravejavik- revolves around terse breakbeats and uneasy dx7 keys, making for a most intense of club workouts pitched at an even tempo. -downton abbey trax- equally keeps the tempo slow and deadly as a hailstorm of rave tropes meet with emotive string samples, while -hidden agenda- explores paranoid house with pan pipe leads flown in over the top. the release rounds off with -matrix wave-, a more meditative, dubstep flavoured cut showing another side to this emergent artist.

marcel vogel s lumberjacks in hell label shows no signs of slowing as it ramps up a killer new salvo from debutant artist c scott. -climb on- is an uptempo workout to capture the absolute peak of the party in the funkiest of ways, while -hands free- provides an apt alternative with its slow, organ-led whimsy. disco remains the backbone of the sound here, whatever tempo the track rolls at and wherever it may head. -stuttering- demonstrates this perfectly with its heavily treated, head-spinning fx still capturing that classic good-time mood, while -at ease- finishes on a life-affirming canter of rhodes led celebration.

in ancient greek mythology, olympos was the living place of the twelve olympian gods and has inspired our limited series record label under the same name. olympos, will release a series of eps , with the figure of an olympian god, from various artists which will remain unannounced until the project is complete. kicking off the series is hephaestus, the god of fire and metal. dounai and lavein is an ancient greek phrase meaning give and take. a-side features lavein which is a broken beat, glitched up number, with a rather metallic timbre. resonances, filters, drums and arpeggiators arranged and programmed in style, resulting in a modern electronic piece with plenty of quirky, edgy vibes. on the flip side dounai is a melodious, esoteric and slow moving late night /after-hours affair, which expands slowly and steadily over a beautiful chord progression of lush strings and sparkling pads. a steady punctuated beat rolls smoothly throughout the track, completing this ep in a misty, hypnotizing and charming fashion. one copy per customer .

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

for the first release on girasole records we introduce you to william caycedo from amsterdam. the first track dreamcatcher is a real deep but banging house track with a heavy bassline and it lets you fly away. return to free side has this slow vibes but there is always changing something untill the end. departure is all about that bassline and that sexy percussion. scapegoat is just a monster on the b-side.

3fm003 is composed by 3 diverse soulful tracks all recorded live which are set to be played everywhere this winter. the ep opens with healer , an emotional slow jam driven by warm pads and original voices that probably will bring your memory to theo parrish s flower . following is the club oriented story , a straight house track guided by a 4/4 drum machine pattern and permeated with a loved up vibe. the ep ends with the deeper time can tell : broken rides, key solos, groovy bass-line.. jazz!

rnt is going back to the roots of their reserve series with rose cutz 2, a pack of burners and heaters from rose records honchos luvless and m.ono. each producer takes a side, delivering a little something for any time of night, from the up tempo stomp of eins a legge to the slow analogue pulse of file save as. a rose by any other name is still a banging record!

seven years, who cares? no one really but it seemed like a good excuse to do something a bit different. we spoke to some the artists that have helped shape wolf over the years and asked whether they would like to contribute to a double 7 inch release. excited by the unusual project session victim, frits wentink, greymatter & mr. fries have delivered four original tracks with the format in mind. hip hop, beat down, low slung & upfront house all contained across two records. this release will be vinyl only.

the return of konigs jonny 5!vollkreis liebe.deja-vu nein? beats in balearic space.schlagen bass, guitar himmel. one more time!sirup vocal, groove funk. das ist last trrrrraaaaain. late-nightromanzen uh-o uh-o miami kilter schlagzeug. eindringlichen refrain. babababass! finale grazie ist slow bodies.100 bpm, arp kopfes. und weiter.panzer peoples funk esel

jongno edits is back with a second volume of edits of deep korean cuts dug out off the shelves at hwang hak dong market. again limited to 300 copies of analog mastered wax, get it while the heat last! down comes out with bells and whistles, blurring the lines between the summers of rimini and the dancehall of itaewon. its a slow burning affair calling all the heads to get down. on the flip space is the place, the uptempo cosmic belter that will send you to the sky and back. this one is a shooting star for soju infused late nights, when the neons become lasers and the dance ?oors are free from gravity

midgar is finally reaching the 10th release with mdg008, a rich ensemble of live jams, adapted to the vinyl format by ambient specialist shaded explorer. the record opens with the bleeping saucer emerald weapon, activating hyperspace mode as the sidereal ambiances take over in the middle of the track. skyward follows up with thunderous kicks, adding consistency to the groove but keeping focus on windy atmospheres. the slow-builder shaded gems reset the pace on the b-side, where the italian artist fully express the solemnity of the machines. underwood ends the record with natural textures: a sonic representation of mother nature waking up the forests using bright pads and perpetual chirping.

the latest from ways inner pass is a mood-focused ambient debut from llloyd, one half of the duo dreampeter. a collection of slow-burning mantras, myth of intents is meant for the wandering mind, pushing the listener to engage in conversation with less pressing thoughts. physical orders of the cassette are paired with handmade incense cones to burn upon first listen.

slow futur was the name of the live soundtrack of zombie zombie for a juggling company. an add project that we decided to release some months ago, consisting in 4 tracks of 15 minutes. we were suprisingly sold out very quick. so we decided to give that record a longer life having some new mixes of one the track : hyperspace. tolouse low trax is all around the place at the moment. the amazing resident dj at salon des amareurs in dusseldorf provides a kind of sleazy remix here,that never really starts but subtlelly evolves while i:cube brings it in the dub territories, in a lush mood. enfin, gilb r provides a little reprise,putting the percussions in the front for a tropical effect.

for la clap s second release, cntrl takes commands with a banging ears ep, including a special remix by birdsmakingmachine. la clap is on the roll, having a slowly start but a heavy advance. -dwntstrs- will take you downstairs, at a slow tempo and precise claps. a mixture of sharp sounds that makes you travel deep down. cntrl is coming here with a &#64258,,ame in his hands, followed by a bmm dynamite remix, taking us to another sound

label founder and owner of how to kill detroit, the friend gives his fresh release from tokyo s underground label doddadsee. this vinyl includes tracks with his very own unique style sludge

das debütalbum des schottischen duos naked ist eine brutal-verzerrte experimental-pop-vision über den desillusionierenden masochismus der heutigen jugend im digitalen overload, über menschliche isolation und ein deformiertes gefühl für sex und körperlichkeit. co-produziert wurde zone von paul corley (anohni, oneohtrix point never, ben frost). naked veröffentlichten bislang eine ep auf luckyme, produzierten mykki blanco, sowie den soundtrack zum film “a silent man” von regisseurin charlotte colbert.
die vinyl-lp erscheint inklusive downloadcode.

having broken the barrier for murky skewed house with his 2014 white label *a place called ballacid*, hungarian scene founder s olbricht returns with a full album on lobster theremin that channels his distinct brand of thumping, sludgy techno, weaving through repetitive drone-laden ambient and hague-esque escape soundtrack house. *for perfect beings* is a sound-palette tour de force, picking n mixing tempos and tonal balances that shift throughout each track and side of vinyl. which strangely starts on a 12 inch lp slab and ends with a pseudo bonus 10 inch two track experiment.

romanian specialist and techno creator ceparu already released on resopal. his follow up 12“ -mahajala- contains three unique tracks. mahajala is an urgent and techno-leaning, with paranoid, siren-like vocal snippets and scurrying basslines track. datol para is a brooding and slow burning tune with a synth line that goes from rubbery to minimal. around it, patient percussion, deep, warm kicks, and it goes and goes and goes. pamara lana features even more deepness but with ceparus trademark colorful synth freakiness.

bring 2 electronic masterminds together in the same studio and you’ll be gifted with a new perspective over what techno sounds like nowadays. super moon, a fresh collaboration between priku and arapu, has chosen liniar for its second appearance on vinyl. side a sets ground for the whole ep, with its incisive kick and raw bassline that carries the dna for the pure blood acid line, a line that carves space for a light infusion of deep sounds. and it’s the percussion that leads the opening on side b, slapped over the outskirts of a labyrinth of industrial samples, to cool down in a slow paced closing cut, filled with hypnotic hi hats and broken drums. expect super moons creations to stomp a dancefloor near you pretty soon!

limited to 300 copies / only on orange vinyl / hand stickered & numbered

the 10th modal analysis release is the second full ep of the label’s co-founder, anfs. mass ep demonstrates anfs unique sound aesthetics, offering tracks to satisfy the most demanding music-heads. mass#1 is a sadistic composition of distorted percussions and basslines hitting hard in a slow rhythmic groove , while mass#2 stands closer to the dancefloor thinking norms, without though leaving behind any of the creepiness of mass#1. on the flip side, mass#3 brings back the mood of a horror movie soundtrack, with bleepy riffs on the leading sequence. finally, mass#4 is another rhythmic industrial composition, which connects mass ep with the traditional eastern influences that can be found on anfs debut release, ground ep

what would it feel like to have your naked body slowly submerged in a pool of steaming acid? one would expect unbearable pain, of course - beyond the limits of our imagination - but with his acid ambient vol. 1 on kontra-musik, daniel araya proves us wrong. the ems studio engineer and producer adjusts the intricate ph levels of this corrosive bubblebath with infinity skilled hands, making the experience thoroughly pleasurable - on the verge of erotic even. your skin melts away with a sweet sensation of laxity and your muscles and tendons dissolve sensually slow. at the end, nothing will remain below the surface but the pleasure center of your now diffused brain, pulsating with unrestrained satisfaction. so come on in, the acid is fine.

eyetone returns with 005 which deviates away from the exploratory vibes probed in the previous release which was well received and instead shifts right back with intent for the dance floor. an ep which is very much a greek affair, featuring two deep, dubby cuts from la based greek producer maheras and a special extended techno piece by newcomer to the scene artemis soy. maheras sound spits a hybrid of sounds that range from dark techno, groovy disco and soulful house. expanding his personal style by working under new aliases with talented vocalists and collaborating in projects such as cazion and plastic love, maheras continues to explore the vast sphere of electronic music without any limits.

nice price deal !!! ”rundgang” (feedback in swedish) is a track made with feedback and i would call it a.o.t’s very own and personal interpretation of dubstep with ”lyrics” that reflects his wicked sense of humor. ”woot!” on the other hand is an evil excursion in filtered frequency noises and a distorted start/stop rhythm and this is nothing for the faint hearted so brace yourself you are in for a crazy trip verging on techno. the go koyashiki remix takes remixing to another level because go has stripped ”rundgang” to it’s bare essentials and produced a very minimal and slow pulsating track that ends with sublime pianoplaying.

for number 09 office recordings comes up with four slow bottom up intense house groovers

the 4th release of on a mission records is a double pack with not less than 7 original tracks and 2 interludes from label bosses jef k and rhythm&soul. as original house music lovers, they are reaching the whole spectrum of their inspirations throughout the years and send it directly to the dancefloor. the lp was done between madrid and paris in the last monthes of 2015. jef k is one of paris old-school legendary dj and producer since 1992 and is also running the famous house label silver network. rhythm&soul is one of madrid s house music leaders and also runs the almighty deep house label slow town. house culture !

insane hyper hybrid combo of wave/house/techno by murray cy of glasgow. the cy stands for -contort yourself- the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. all four tracks move in their own way from mid-tempo heaviness to more peak time fare. this is the rough back alley stuff you ve been warned about!

four-tracker ep of tracks i found on an allegedly refurbished hard drive i ordered on russian ebay. hand-printed linocut outer sleeve. the dark past side is for you at home: a1 is a slow burning, melancholic acid track, a2 an atmospheric ambient excursion. the bright future side on the flip, on the contrary, is made for the club: b1 is a house banger with one of the most fun breaks in a long time, b2 brings you the summer right onto your turntable.

raam is back with a solid 4 tracker. the ep starts with ment which is a raw and jacking deep house track. a big rolling bassline, drum machine grooves and melancholy pads create that special house feeling. lipslide is a sublime and discoish house track with dubby chords and bubbly synths that slowly but surely unfolds into a serious groove that really work the floor. on the flip ment get some remix treatment from samo dj (lies, ttt, born free etc) and alexi3d. they transform the original in to gritty and percussive techno trip. the ep ends with ask which is a slow house-not-house track.

kindred spirits boards of canada and teebs make an appearance in dreamy collaboration with odd nosdam s sisters remix ep. throughout, the producers split time between cosmic, slow burning beats and reflective soundscapes littered with intriguing textures and mind-bending samples. analogue sounds are generous and knowingly manipulated. gorgeous samples are deployed, sturdy yet emotional. cymbals explode. when the sun finally breaks through on an overcast day, sisters was very much inspired by that wonderful moment and the longing for it.

zum 25-jährigen jubiläum des labels fat possum werden ausgesuchte titel aus dem back-catalogue auf lp wiederveröffentlicht. in diese serie fällt auch stop arguing over me von paul wine jones. paul wine jones steht laut amerikanischen musik-kritikern für einen rohen, ursprünglichen aber elektrifizierten delta blues. 1946 geboren, veröffentlichte paul wine jones mit dem album mule erst 1995 sein debüt. stop arguing over me war sein drittes und letztes album für fat possum. paul wine jones verstarb 2005. der sänger und gitarrist überzeugte auf diesem album als einer der großen zeitgenössischen talente des mississippi-blues. die vinyl-lp erscheint inklusive downloadcode.

minimood continues with a deep piece of heady minimal from esteem german producer sascha dive with a mesmerizing remix by celebrated dutch producer ion ludwig. the after the storm ep is released on vinyl only. after the storm is ten sumptuous minutes of moody and atmospheric deep minimal house with warbling synths, meandering drums and spooky, spaced out atmospheres. the drums roll on free from any friction and the pads are delicate, elegant affairs that circle round you and leave you hanging in a wide open space. vocals sounds like those from a spaceship s pa and lend the whole thing a sense that you are voyaging through the galaxies. it is a truly burrowing track that gets right into your mind, body and soul. ion ludwig s remix is quicker and more synthetic, with waify pads, gently breaking waves and fizzing little modular synth lines that are crisp and rhythmic and will fit perfectly into a set by the likes of ricardo villalobos. this is classy and subtle music that is stripped back and slow burning yet has a huge impact.

after the interruption ps is back. this time with the tropically-balearic ep by moscow debutant aleceo , who has changed his organised top-manager, live with a slow 808 tempo, juno chords and microphone in the studio on the beach of magic island of bali. with the magnetic remix, by tokyo based maestro max essa, this pacific jam becomes a perfect, vinyl only slice of endless summer.

if you love contemporary minimal music, then you are certainly familiar with the greek artist stathis leontiadis. with his bands human puppets, exetix and plexiglas this musician became one of the stars of the genre. now he is back with doric. with this solo project he already released a single and an album on fabrika and a 10- on domestica. the new release is once again a 10-, this time on peripheral minimal. doric uses a special concept. the a-side is the so-called asleep side and is about loneliness: music that sounds paranoid. sleep of reason is almost unbearable, it s madness driven by minimal electronics. everything is very danceable, but this is the dance of madness. the minimal sound comes straight from the 80s. over my dreamssounds a bit like the early parade ground. simply great! head against the wall (a title that needs little explanation) is slow and compelling.

dubtil’s debut for amphia comes in line with the previous 10 releases’ tagline: tailoring new musical perspectives into the multidimensional universe of electronic music. the opener -indoiala- sticks into our brains with its slow decaying voices, pitched down to embrace the devilishly simple percussion. keeping the same eerie approach to his idea of dancefloor oriented loops, dubtil completes side a with -alta schema-, another typical kick-led experience enveloped into a more haunting bassline. bearing a deep house dna yet not losing contact with the dancefloor energy through its breaks pattern, side b’s -repet slap repet- opens the gates to the abstract structure of -contrar-, an apparently chaotic contiguity of weird samples, glued to each other by the minimalistic bassline. jumping from one genre to another, confronting dusty preconcieved ideas just to turn them into a fresh sound: dubtil’s imagination fountain is far from getting dry! we now have the tangible proof.

materia ep is the second installment of ruhig s double ep, inaugurated with particles ep in january 2016. originally the records were supposed to be out in the same period, but due to problems with our ex-distribution, materia ep got postponed of few months. the release starts with the transcendent trento, respecting ruhig s tradition of broken beats idm deep techno leaning openers. consecutive cut the vector is a thumping mixtures of drones and heavyweight hihats designed with some attention for dancefloor. the slow-burner materia delivers some powerful mist-shrouded kicks on the b-side, that wraps up with sciame, a massive droning wave of electro wasps, which still keeps some classy chilled out elements somewhere in the background, behind the thunderous main drums. vinyl unfortunately left no space for the extra only digital track 1870, this last one is percussive retro-futuristic jam of psychedelic mouth arp and huge mallets drums. the track will be available for free download in the same period of the vinyl

after succes releases on labels such as tsuba, slow down, sleazy beats, rose records, and much more, german luvless is ready with a strong release on danish label deso records - you should is a strong deep house track, with a beautiful hookline, that will make troubles everywhere is will be played. on the remix, we got the mannequins back on deso - this remix is supported by jimpster to name one, deep house when it is best. limited solid white vinyl. this ep is supported by names like: mike w (kolour recordings) lo shea (phonica) nacjtbraker (dirt crew) jimpster (freerange) onsulada (yoruba) and much more! get your deep head on!

limited information on this release, it contains two super edits that have been heavily road tested on a certain soundsytem that is currently doing the rounds. not much information beyond that but the music speaks for itself. slow mo with energy. more soon.

youandewan makes his voyage debut with luna via, a three track ep sitting comfortably at home, above the ether. the opening piece is spread across the a side, with two separate interpretations, ciel and vessel . ciel is the faster, uplifting predecessor to vessel , which remains slow and nostalgic. on the flip, a touch of familiarity with the antonymously named stranger (glad eye), a surging take on house music and youandewan s various influences. luna via is also accompanied by a full sleeve interpretation by melbourne s sprinkles.

played by roland the realest, born to shine records, henri le blanc
together melbourne pair amin payne and sean deans form apsd, and they debut in quite impressive form with this digital dust album for hot shot sounds. inkswel and benny badge s label has developed into the prime source for what they call -drum machine soul music- and apsd are a perfect fit. some 11 tracks deep, digital dust features contributions from the voice of fat freddy s drop himself, joe dukie, as well as miles bonny, cazeaux oslo, silent jay and more. yet it s deans and payne s innate mastery of a glistening brand of funk across various tempos which shines through on this album.

entering with “cruising into the storm”, a raw synth and bass propelled work-out, moda squeezes energy in ounces into a midnight ready and sweat thirsty call to action. channelling his gang starr influences, break-beats are dug, dusted off and sampled onto “4 my people”. crackling joyfully and reminiscent of the 90s, a2 is not failing.
the flip side opens with cosmic tones, deep pad works and a rattling top ends from the 909, steering the mother-ship deeper into the cosmos. interstellar travels deepen via euphoric murky pads, a melting tempo, infectious bass and loose hats on “what i am”. moda ejects off ship somewhere between neptune and pluto...

drei jahre nach der veröffentlichtung ihres selbstbetitelten debütalbums meldet sich factory floor nun mit einem neuen werk zurück. “25 25” heißt das zweite album des elektro-duos und wird am 19.08.2016 via dfa erscheinen. nik void und gabriel gurnsey, die beiden köpfe hinter factory floor, haben das neue material in eigenregie produziert, gemixt wurde “25 25” von david wrench (fka twigs, caribou). das weiße doppel-vinyl erscheint inklusive downloadcode.

nice price deal !!! autotune, echo and reverb - slow heart beats and minor chords. o f f loves music is fragile. hidding behind a ying yang print scarf and transforming his voice, o f f love is taking a distance. however he couldnt be more direct in the way of sharing his feelings with his minimal productions and repetitions: not looking for perfection, but emotions. feelings are shared, almost forgetting about privacy or discretion. just like o f f love performances might have made some of the audience members feel like a voyeur...